Braid Blog

May 18, 2012 Kathleen

When I was a young designer working at a small ad agency, fresh out of art school and full of anxiety, Tara (my sister and creative director) told me “If you don’t feel like you want to throw up you’re not doing it right.” It was her way of telling me that it’s okay to be scared, that feeling of crippling anxiety can actually be good for you - if it doesn’t break you. So that’s what Jonathan Fields’ book Uncertainty: Turning Fear & Doubt into Fuel for Brilliance is all about. I know I’m a little late to the game on reading this book but it’s a must-read for any creative entrepreneur who wants to feel good about feeling scared out of their wits about pursuing their passion as a living. Because launching your own creative business is a lot like graduating from art school - where your future most certainly looks uncertain.

I don’t want to dive into an entire review of the book but instead highlight a specific concept that Fields brings to light:

Uncertainty: Chapter 4

Find Your Certainty Anchors, chapter 4
Here Fields talks about utilizing ritual and routine as a way to bring some certainty into your seemingly chaotic creative endeavor. When creating we typically alternate between:
1. insightful big ideas &  
2. the execution (refinement, expansion and production)

For me the big ideas always seem to strike during down time and often I come against some resistance when it comes to the execution. Scheduling downtime into your work flow and developing reliable habits is a great way to combat feelings of uncertainty and resistance.

For example, sometimes the least productive thing I can imagine doing when under a tight deadline is go for a run or have coffee with a friend - but without fail these scheduled pauses in my work day are when the big ideas seemingly come out of nowhere and refuel me to execute on looming projects. And I always meet my deadlines. So rather than draining my reserves by staring at a blank computer screen I’m out recharging so I can move forward twice as fast when I return to the work. That's where ritual and habit comes in to play.

Uncertainty Highlight

Ritual helps train you to sit down when you most want to stand, when you're forced to work on the part of the process that leaves you anywhere from bored to riddled with anxiety.

Some examples of rituals and habits, in life & work, that keep me feeling anchored are:
• Eating the same thing for breakfast every morning (coffee and oatmeal)
• Having a uniform of black & grey (a la Steve Jobs, but sassier)
• Waking up and going to bed at the same time every day (sounds simple enough, but it’s kind of a big deal)
• For me when designing: opening my file and setting my rules and margins (sometimes getting started is the hardest part)
• For Tara when writing: typing little mini-headers for each copy section, and taking comfort in making the words “headline here” a smaller font, italicized, maybe a nice light grey (before actually diving in and letting the words flow in chunk-by-chunk)

And Tara would kill me if I didn’t mention that the actual steps we take in our creative method are the same - every single time. A defined creative process allows us to move into each job with confidence rather than feeling overwhelmed by the limitless solutions. It has inspired us to uncover creative methods with the artistpreneurs we work with - to bring productive habits to light for them so they can feel a little more anchored in their own endeavor as well.

What are some of your rituals and habits that keep you sane? Do you have a creative process or way of working to help you combat the resistance? Let us know in the comments or on our Facebook page.

Blog & Book Reviews
May 11, 2012 Kathleen

One of the things we do here at Braid is help aspiring creative entrepreneurs who are not quite ready for a brand design pinpoint their purpose, define their dream... and get it on paper. You think it would be easy enough to be on the same page with yourself but if there is one thing we’ve learned about working with artistpreneurs is that they are not at a lack for vision. In fact, they typically have so much vision and talent they don’t know where to start and what it looks like to see a project to fruition.

We give them a roadmap of sorts. Because before you can clearly brand yourself with a look and feel you have to identify your content. You have to know where you’re going.

Rory Gordon Creative Roadmap
Rory Gordon Roadmap Detail

Rory Gordon Roadmap Detail B

This winter we worked with Rory Gordon on doing just that. Rory is a talented photographer, documentarian and color specialist making her way as a creative in LA. She hired us for some creative coaching and in exchange we hired her to document a day of Braid. She gave us a irreverent and authentic portrait of our business and in return we gave her a healthy dose of business vision.

Rory shared a little more about her Braid experience with us on her blog. (But start a few posts back - Rory tells a great story about her life and struggles as a creative entrepreneur.)

Images by Aurora Gordon.


May 03, 2012 Tara

 

The style of this Monscierge video (white, clean & business-time) is not for everyone. Just like our Braid video about our Austin adventure complete with a cow giving birth is not for everyone. Yet, ironically our Monscierge clients (these really creative smart guys who are going to take over the world some day) love that dang “cow video.” But regardless if cowboy boots or business suits set the tone for the day, we love creating brand videos. Short of actual one-on-one exposure to your product or experience they are the most effective way to get across the essence of your brand. 

With a company like Monscierge, a brand video is a bit less about the emotion (or cows) and more about educating the viewer on how their product works and what the heck they are . In a nutshell, Monscierge is a technology for hotels that empowers guests to connect with a local experience.  But how we choose to convey that “nutshell” information with words, music, atmosphere and styling is how to create a brand experience while explaining at the same time.

As for the behind-the-scenes of a Braid video shoot? Well it involves a lot of prep, teamwork, hard work, but also (usually Kathleen-instigated) hijinx – and it’s one heck of a way to spend a day.

Monscierge Behind the Scenes

Kathleen and Monscierge

Being on a video shoot with Kathleen is like having a really fun, kind of a little bit crazy, almost can’t stop herself from pushing the talent aside and jumping in front of the lens (which she has been known to do) creative director on location. Her laugh can be heard ringing loud and clear across the set.  She is a breath of fun for clients and crew alike during what can be a grueling fast-paced schedule. On this day it was when she reenacting a scene from Titanic by perilously perching on the corner of a four story high glass balcony above a river below with her arms stretched wide (our shoot locale for Monscierge was a glass tower boathouse).  Then she’ll switch to her game face to swoop in and make a split second, unwavering decision about the angle of a shot or the styling of an actor.

Kathleen On Set

What does it feel like to be on a video shoot with, me, Tara? Two words. Clip. Board. I clutch that clipboard with white knuckled grimness. It’s where I keep the storyboard we’ve created, random stuff like our prop lists, wardrobe plan, actor’s names, and our not-so-random but down-to-the-minute schedule for the day. Are we getting the shots? Are we on time? Are we creating a moment? Is that actress smiling too much? Why is there a shadow in the glass orb prop she’s holding? Oh wait, that’s Kathleen casting a shadow outside the window in her king-of-the-world pose. Cut!  No, we don’t really say cut. 

Tara Clipboard

But if you are 1.) prepared, prepared, prepared, and 2.) have a clear creative vision (on paper!) so everyone that’s collaborating can literally be on the same page (our collaborators for the Monscierge video included Steve Jones, Chris Hunt, RK-1, and Actors Casting for example, not to mention the music from O Fidelis and Monscierge’s own inhouse photographer) then not only is there breathing room for a control freak like me to deal with an unexpected glitch (of which there’s always at least one) but there’s room to have fun, too.

If you know you want a brand video, but aren’t sure if it should be informative or inspiring, lo-tech or hi-tech, completely candid or creatively styled, we talk more about that here in Choosing Your Brand Video Style.

Client Work, Video